Spoleto is a mecca for history buffs, the city a mash-up of architectural epochs from the Umbrii through the middle-ages. Strolling through town, you are as likely to have your eye caught by the austere Roman Arch of Drusus as the whimsical 17th century Mascherone Fountain.
But you know what? History, schmistory. Sometimes I get a hankering to see what’s coming next, not what came before, and Spoleto has a unique window into the future, as well. The excellent Palazzo Collicola Arti Visive contemporary art museum, completely renovated in 2010 (and, luckily, with a brand-new website, as the previous version was both graphically stunning and completely impenetrabile), is one of several collections of contemporary art in otherwise artistically stodgy Umbria, and perhaps its best.
The permanent collection (Museo Carandente) on the ground floor houses fifteen rooms of modern and contemporary painting and sculpture, heavy on the Calder (I blew on a couple of mobile sculptures to see them spin and no alarms went off, so go right ahead. You didn’t hear it from me, though.), including scale models and period photographs of his monumental Teodolapio sculpture from 1962, which sits in front of the Spoleto train station, and the Sol Lewitt (I challenge you to stand in the Rainbow Room and not get a silly grin on your face. Try it.).
Unfortunately, the collection is light on explanatory notes; there are few posted in the individual gallery rooms and the map upon entering is a simple postcard with a floor plan. They would be doing themselves a service to invest in more complete descriptions (posted, printed, and in audioguides) so visitors would have a better historical and cultural context for the works. In the meantime, I can just talk at you like a normal person and tell you that it’s a lovely collection—the perfect size for a visit that doesn’t lead to art overdose and happily juxtaposed with the stately Renaissance palazzo with its original cotto floors and painted vaulted ceilings.
I was especially charmed by Calder’s lighthearted tiny wire people twisted from champagne cork cages (Yes, I can hear you saying, “But I coulda done that!” Well, chump, you didn’t. Which is why you are now paying €6 to see those who did.) and the beautifully disturbing (or disturbingly beautiful) Leoncilla ceramic works.
The ornate piano nobile upstairs is used to house temporary exhibition–primarily through the summer months–for a real look into the future of art. And don’t miss the works in the courtyard, which are easy to overlook—though the crazy graffiti-art-on-existential-high Santiago Morilla mural is an eye-catcher.
From this maelstrom of color and forms, it’s a bit soothing to step back into the historic stone streets of Spoleto and drink in its past. But a quick, bubbly sip of the future can be had in this stately city, as well. So, drink up.Rebecca